E.Mo.
E.Mo. (Mountains) is a series shaped by distance—between the self and the natural world, between desire and access. Created during quarantine using expired paints, the work reflects an inability to…
read moreAn anagram and extension of WE’RE MADE OF CLAY, AYE FEW CLAMORED retraces the migrations and colonizations of Native Americans on the Colorado Plateau.
read moreWE'RE MADE OF CLAY alludes to common threads in creation myths and Native American ruins in the American Southwest. Like
read moreCanada’s sesquicentennial (150th) has the typical excess of Nationalistic fervor – where patriotism has become to mean to follow blindly and not criticize/poke holes against the appearance of “unity”
read morePERFORMING ART blurs the boundaries between the Art Object and the Process of Art; bracketing the fetish of documentation and the "iconic moment" in performance art, as well as subverting…
read moreFlog the Flock confronts herd mentalities embedded within contemporary sociopolitical discourse—particularly within segments of right-wing, flag-waving rhetoric that silence the rights and freedoms of others. Through a series of bold,…
read moreSTILLE STADT (trans. Silent City) is an experimental feature which depicts the state of contemporary urbanity through an Everyman on the verge of a mid-life crisis, who goes through his…
read moreCorpora-Scion critically inhabits the linguistic and psychological topography of corporate culture. The title plays on corpora (work) and scion (slave), signaling how ostensibly aspirational corporate structures can entrap competence within…
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