BLISSED
BLISSED – (or “Bless Id”) continues the racial dynamics of A MOOR via the unspoken issue of LGBT domestic violence as allegory. Drawing inspiration from the claustrophobic tensions of Tennessee…
read moreCENSURED IN CANADA was originally launched in 2014 to create a space for Canadian-based artists & works marginalized and rejected by Canadian festivals and institutions – whether it was due…
read moreCorpora-Scion critically inhabits the linguistic and psychological topography of corporate culture. The title plays on corpora (work) and scion (slave), signaling how ostensibly aspirational corporate structures can entrap competence within…
read moreAn anagram of "resistance", ANCESTRIES is a layered piece that encodes the dialectics of colonialism, desexualization, desire, and resistance. An Asian is seduced by and in turn seduces a Caucasian…
read moreDELILAH JUKEBOX (aka DJ) toys with the notion of loops, repetition, and dichotomy (like the A-B sides of a vinyl record). Delilah is not just a woman, she is the…
read moreTaking it's title from Marc Chan's composition, MY WOUNDED HEAD is an experimental short that investigates issues of representation (and people's preconceived notions) and reflexivity. Marc's music, featured in the…
read moreIn 1994, Stephen Sondheim's musical Passion opened and was savaged by theatregoers who were repulsed by the characterization of Fosca, an invalid woman who suffers from convulsive fits, and her…
read moreBOUNDED NATURE is a photographic series and installation that investigates the dialectic and tension between the natural and the man-made in urban environments; how nature is contained, pruned, and rendered…
read moreINTERIOR SONGS is a hybrid performance/installation piece that explores the dynamics of trace, space, introspection and observation through allegorical set pieces that regress through history. Like
read moreA piece exploiting the repetition of an action and the repetition of an aria to explore the rubric of discipline (e.g. school, spinster teacher, schooled voice i.e. operatic singing, etc.),…
read moreTo mark the final four weeks of MURDER IN PASSING, Stephen researched and recorded a new song each week in the repertoire that brackets trans expression and representation.
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